#TUMBLR THE 5 FS OF MEDIEVAL MANUSCRIPTS HOW TO#
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#TUMBLR THE 5 FS OF MEDIEVAL MANUSCRIPTS SERIES#

Medieval Manuscripts Alive is an occasional series featuring readings from Getty manuscripts by specialists in the languages of the Middle Ages.

My sincere appreciation is due to all in the Manuscripts Department for their input on and contribution to this series, to Annelisa Stephan for recording and editing the audio files, to Robert Checchi for designing our Medieval Manuscripts Alive emblem, and to Professor Haile and all future readers for their time and passion for language. We hope that you will join us on this journey through text and image. We look forward to the sounds of the spoken word bringing new life to our medieval illuminations. The Imagery In the facing miniature, Saint Luke sits poised to begin writing his Gospel with pen and parchment in hand. The Text The text read by Professor Haile consists of the opening words to Luke’s Gospel, in which the author explains that he has carefully investigated the events about which he is going to write. Then begins a passage often read at Christmas time, explaining the Roman context for Christ’s birth. Saint Luke and Decorated Incipit Page from a Gospel Book, about 1480–1520.

#TUMBLR THE 5 FS OF MEDIEVAL MANUSCRIPTS FULL#

Looking at the full manuscript page, we find Abraham accepting into heaven the soul of the impoverished Lazarus, whom the wealthy Dives shunned from his bountiful table. The reader would have also contemplated this meditative hymn in relationship to the tormented cries of Dives, written in red letters on a white banderole: Pater Abraham miserere mei… “Father Abraham, have mercy on me.” In the image below, for example, medieval readers would have said (aloud or in their minds) the Latin words enclosed in the golden box: Et lux perpetua luccat eis (And let light perpetually shine upon them ). When the words of medieval manuscripts were read or sung aloud, the visual content of the accompanying illuminations came to life in rich and meaningful ways. In this project we join our colleagues at the British Library, who have collected hours of fascinating audio from lands and literature across the ages. Apocalypse in Latin with commentary by Berengaudus does not have as many examples of marginalia or annotation as some of the other medieval manuscripts I have. This new series celebrates those texts by bringing them to life through sound. The texts we encounter in these handmade books range from devotional to scientific, liturgical to historical, theological to philosophical. Medieval manuscripts were prized by their original owners and users both for their luxurious paintings and for the carefully hand-written words that filled the majority of their pages. Tempera colors, gold, and ink on parchment, 14 9/16 x 10 1/16 in. British Librarys Medieval Manuscripts blog has a post about Fridays official exhibit opening.

← Race, Genitals, and Walt Whitman in Dr.The Author Hears the Story of Gillion de Trazegnies (detail) in Romance of Gillion de Trazegnies, after 1464, Lievan van Lathem. Manuscript title: Translatio barbarica psalterii Notkeri tertii (Old High German Psalter by. Five Lessons Mary Magdalene taught me by Angela Sealana.

Unde / videndum est quod capitulum / tractet de ipsis herbis que continetur in hoc libro.īasically, the chapter titles are the names of the herbs. Hec sunt capitula designata quibus / potest sciri in quo capitulo sit / nomen cuiuslibet herbe. These titles and chapter numbers are listed in the back, followed by the folio number on which they can be found.Īnd in case the reader may not be familiar with such lists, Christoforus (our scribe see the previous post here) provides an explanation:

#TUMBLR THE 5 FS OF MEDIEVAL MANUSCRIPTS HOW TO#

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41r, Macer Floridus, De virtutibus herbarum, 1493, 10a 159Įach section of De virtutis herbarum is headed with a rubricated title and chapter number. We use cookies to distinguish you from other users and to provide you with a better experience on our websites. In 10a 159, a 15th century Italian manuscript which includes Macer Floridus’ De virtutibus herbarum, the section headings are listed in the back of the volume.į. The idea of a table of contents or index is not a new one in fact, even early Greek papyri contained sections and often lists of items.

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